Haein Song Un—Folded Whole Light / Folds Pain Memory Marking Colour A Brief History of... *** Queen Mary's Dolls' House Winter's Tale The Fragments of Parmenides The Botanical City Ornamental Digressions Hungry Bibliophiles Interstices & Intersections Perpetua and Felicity In Principio La Prose du Transsibérien Re-creation Dickinson's Selected Poems Bram de Does Russian Modernism Beckett's Trilogy The Songlines Linear A to Linear Z A Bend in the River Mr. Palomar Journey Round My Room The Myth of Sisyphus Romeo and Juliet The Periodic Table The Trial Gogol's Collected Stories Brush Up Your Shakespeare Just So Stories Le Grand Meaulnes Whistler Don't Look Now *** Three Plays of the Absurd Nine Books of the Absurd *** About Fleischman on Punchcutting The Steadfast Tin Soldier of Joh. Enschede en Zonen, Haarlem Bound in 2018 Spectatorpers 1994 & 1992 Designed, hand set and letterpress printed by Bram de Does 263 x 189 x 15 mm / 14.5 mm Full leather binding in light brown (Fleischman...) and blue grey (The Steadfast...) goatskins with hand tooling in various colours. The colour of the leather was chosen to go with the colour for the initials (drop caps) used in each book. Leather joints and doublures. Hand sewn silk headbands. Both books are designed and printed by Bram de Does, a well-known Dutch type and book designer, and are set in rare types which cannot be found in digital forms. The design of the binding is inspired by two typefaces used in each book and Bram de Does' celebrated work 'Kaba Ornament' which has his researches on endless combinations of patterns, ornaments and borders. The selected punctuations marks (pilcrow, dagger, section sign, brackets, dash...) and numbers are used to create patterns and playful movement of the shapes. Private Collection, Ireland