Haein Song Un—Folded Whole Light / Folds Pain Memory Marking Colour A Brief History of... *** Queen Mary's Dolls' House Winter's Tale The Fragments of Parmenides The Botanical City Ornamental Digressions Hungry Bibliophiles Interstices & Intersections Perpetua and Felicity In Principio La Prose du Transsibérien Re-creation Dickinson's Selected Poems Bram de Does Russian Modernism Beckett's Trilogy The Songlines Linear A to Linear Z A Bend in the River Mr. Palomar Journey Round My Room The Myth of Sisyphus Romeo and Juliet The Periodic Table The Trial Gogol's Collected Stories Brush Up Your Shakespeare Just So Stories Le Grand Meaulnes Whistler Don't Look Now *** Three Plays of the Absurd Nine Books of the Absurd *** About Un—Folded by Haein Song Designed and printed in 2023 Bound in 2024 310 x 251 x 8 mm Un—Folded is a book with sixteen cyanotype images and seven specially commissioned poems by Sam Winston on themes of space, time, and genealogy. Sixteen folded shapes (jong-e-jeop-ki in Korean), all created using the method of interlocking, were unfolded, and lines were drawn where the final folds occurred. These 'unintended drawings' were an attempt to reveal the abstract maps or way-findings of the paper foldings, showing a willingness to comprehend the unknown. These drawings were then cyanotype printed on Tosa Washi 28gsm paper. The poems were set in Tisa Sans and letterpress printed from polymer plates using a Vandercook SP15 press. Some lines of the poems were printed on the reverse side with horizontally flipped text, offering the possibility of alternative readings. The images are printed on fore-edge folded sheets, and the poems on single sheets. The book is stab bound with a hard case covered in Windsor Morton, and housed in a drawer-style box covered in Windsor Conwy with suede panels in Chamel Ecru. Each book is accompanied by a cyanotype print on Zerkall 225gsm paper; all sixteen unfolded paper foldings were layered on top and exposed for half an hour to create the final print. Cyanotype printing was done using facilities at East London Printmakers, and letterpress printing and bookbinding at London Centre for Book Arts. The edition is limited to 42 numbered copies.