Haein Song Un—Folded Whole Light / Folds Pain Memory Marking Colour A Brief History of... *** Queen Mary's Dolls' House Winter's Tale The Fragments of Parmenides The Botanical City Ornamental Digressions Hungry Bibliophiles Interstices & Intersections Perpetua and Felicity In Principio La Prose du Transsibérien Re-creation Dickinson's Selected Poems Bram de Does Russian Modernism Beckett's Trilogy The Songlines Linear A to Linear Z A Bend in the River Mr. Palomar Journey Round My Room The Myth of Sisyphus Romeo and Juliet The Periodic Table The Trial Gogol's Collected Stories Brush Up Your Shakespeare Just So Stories Le Grand Meaulnes Whistler Don't Look Now *** Three Plays of the Absurd Nine Books of the Absurd *** About Selected Poems by Emily Dickinson Bound in 2017 - 2019 Folio Society 2016 Wood engravings by Jane Lydbury 222 x 147 x 21 mm Full leather binding in white alum tawed goatskin with tooling in various shades of grey. White leather joints and doublures. Pencil drawn endpapers with a layer of Japanese paper. Hand sewn silk headbands. The design and colour are to represent stillness and seclusion of Dickinson's life and to emphasise her idiosyncrasy by directly using the dashes from the poems. Dickinson's unconventional use of dashes has been a great source of debate for interpretation to understand her poetry and it was heavily edited to conform to the norms of the time in her earlier editions. The manuscripts for all the poems in the book were studied and all the words are erased except dashes. Then all the pages are overlaid on top to create the design. Limited edition of 3. Amherst College Special Collections, USA Harvard University Houghton Library Special Collections, USA The John Rylands Library Collections, UK