Haein Song Quiet Unmaking Un—Folded Whole Light / Folds Pain Memory Marking Colour A Brief History of... *** Advice to a Painter Laudes Creaturarum Topiary Les Climats Queen Mary's Dolls' House Winter's Tale The Fragments of Parmenides The Botanical City Ornamental Digressions Hungry Bibliophiles Interstices & Intersections Perpetua and Felicity In Principio La Prose du Transsibérien Re-creation Dickinson's Selected Poems Bram de Does Russian Modernism Beckett's Trilogy The Songlines Linear A to Linear Z A Bend in the River Mr. Palomar Journey Round My Room The Myth of Sisyphus Romeo and Juliet The Periodic Table The Trial Gogol's Collected Stories Brush Up Your Shakespeare Just So Stories Le Grand Meaulnes Whistler Don't Look Now *** Three Plays of the Absurd Nine Books of the Absurd *** About Les Climats by Anna de Noailles Bound in 2025 Piccolo Press 2021 Société du Livre Contemporain 1924 Wood engravings by François-Louis Schmied No. 45 of an edition of 125 312 x 258 x 30 mm Full leather binding in sandy goatskin with back-pared onlays in various colours. Leather joints are in the same shade. The title is blind tooled on the spine. Hand sewn silk endbands with highlight colours. The endpapers are letterpress printed in a gold shade from polymer plates on 160gsm Canson Mi-Teintes paper. The book is sewn onto a stub. The poems in Les Climats evoke the vivid moods and sensory beauty of Mediterranean landscapes, blending nature, memory, and emotion into a lyrical celebration of place and atmosphere. Schmied's wood engravings display beautiful cutting marks that add rich textures to the illustrations – whether through oval or round shapes, long lines, or other forms created by his engraving tools. The design draws on these marks to evoke an atmosphere that is reflective, nostalgic and transient (inspired by the emotions conveyed in the poems), while also suggesting an abstract sense of landscape. Private Collection, USA